YoYotta Transcode

High quality transcoding creating DPX, MOV, MP4 or MXF+AFF copies of material
With CDL, 3D LUT, REC709 processing and image resizing

Quick, easy transcoding

Connect a drive or drop in a folder and transcode all the material or use the Source Browser to select which folders or source types need to be transcoded.
Toggle the COPY button in the job table to TRANSCODE.
ALE and CSV reports can be generated. Burn in timecode or watermarks and logos. Send output to multiple destinations.

  • Cameras formats
  • ARRI ALEXA 65, LF, SXT, codecs ARRIRAW, ProRes including Apple ProRes 4444 XQ
  • ARRI Mini MXF wrapped ARI
  • Codex HDE
  • Sony F700, F5, F55, VENICE and F65, formats MPEG2, SStP, XAVC, X-OCN, 2K and 4K RAW
  • Sony FS7 XAVC, MPEG and ProRes
  • Sony X70 XAVC
  • Panasonic VariCam AVC-Intra 4K and 2K, GH5 Long GOP, VariCam LT DNG, EVA1 MOV + AVCHD
  • Phantom CINE
  • Canon 5D, 7D, 60D, 500D H.264 MOV
  • Canon C200 MP4
  • Canon C300, C500, C700 MXF
  • GoPro H.264 and H.265 H.265 decoding requires macOS 10.13 or newer

Multiple simultaneous output codecs

Open the Transcode panel and choose one or more destination codecs. Support for 8K resolution, floating point RGB workflow ensures high quality results. Accurate control of bit rate when encoding to H.264 or H.265.
When creating MP4, MOV or MXF, audio is read from MOV, MXF and DPX+WAV sources.

  • H.264 MOV
  • H.264 MP4 with AAC audio
  • H.265/HEVC MOV requires macOS 10.13 or newer
  • Apple ProRes Proxy, LT, 422, 422 HQ and 4444 MOV
  • MXF HD LB (36Mb), HD SQ (115Mb), HD HQ, HD HQX (175Mb) MXF + AAF for Avid
  • MXF HR LB, HR SQ, HR HQ, HR HQX MXF + AAF for Avid
  • DPX 10 bit or 16 bit

CDL, 3D LUT, REC709 Matrix processing

Add a CDL file to apply slope, offset, power and saturation
Add a 16, 17, 32, 33, 64 or 65 point 3D LUT to convert Log material to REC709 or to apply a creative grade
Add a matrix to convert to REC709

Resizing clips

Transcode at original size or up-res or down-res to a new size. Fit Width or Fit Height to create Letterbox or pillarbox with blanking.

Create DPX sequences

Output to 10 or 16 bit DPX or ProRes 4444 for online workflows.

Transcode DPX with Audio

YoYotta can add audio channels when transcoding DPX image sequences to H.264 or ProRes. Put the audio WAV file into the same directory or the directory above and give it the same name as the DPX file prefix. Use a . or _ to separate the sequence name from the sequence framecount. Here the sequence name is 4P_01-1.new.0100 and the frame count starts at 86420. Other examples would be VFX174.090000.dpx with VFX174.WAV or Clip1_090000.dpx with Clip1.WAV

Conform and Transcode

Use the YoYotta Conform option as a source for the Transcode. Easily create over-length selects from the source material for online.

Transcode is available as an option for YoYotta, YoYotta LTFS or YoYotta Automation

All recent Mac's work with Transcode, older Mac minis do not, click here for more details.

YoYotta software runs on Apple macOS Mojave 10.14, High Sierra 10.13, Sierra 10.12, El Capitan 10.11
macOS 10.12 or newer is recommended.

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